上海礼巴堂艺术空间推出由国际团队“边界为桥”（Borders as Bridge）的创始人乔治·乔治亚科普洛斯（Georg Georgakopoulos）和王俞涵（YuHanWang）；以及朱莉娅·哈劳尔（Julia Harrauer）、拉斯*·科尔罗斯（Lars* Kollros）联合策展《日常微光：元素之间》，历时一个月的艺术呈现已缓缓落幕。

The Brilliance of Everyday Life: Combining TheElements, presented by Shanghai LBT Art Space, has recently concluded after a month-long exhibition. Curated by Georg   Georgakopoulos and YuHan Wang, founders of the international art platform Borders as Bridge, together with Julia Harrauer and Lars* Kollros, the exhibition brought together artists from Greece, China, and Austria in a compelling cross-cultural dialogue.

策展人合影

开幕式合影

本次展览集结希腊、中国、奥地利多国艺术家的创作实践，以传统手工、先锋科技、意象绘画等多元创作载体，搭建起一场跨越地域的艺术对话。不同文明的思考落点落在一件件实体作品里，赋予展厅丰富的观看层次与研读价值。

展览展出的作品涵盖了架上绘画、多媒体综合材料装置、动态影像、摄影以及概念雕塑等，共计76件作品。

Bringing together artistic practices from across Greece, China, and Austria, the exhibition explored a wide range of creative languages—from traditional craftsmanship and emerging technologies to symbolic painting and mixed-media experimentation. Through these diverse artistic approaches, the exhibition fostered a dialogue that transcended geographical and cultural boundaries. Each work embodied distinct cultural perspectives, enriching the exhibition space with multiple layers of visual engagement and intellectual reflection.

The exhibition featured a total of 76 works, encompassing painting, multimedia installations, moving-image works, photography, and conceptual sculpture.

希腊艺术家Vasiliki以针线缝制为媒介，将1930年代希腊律法中极具地域特质与时代烙印的「嫁妆契约」文本，完整缝制于特殊肌理面料之上。细密走线承载着旧时代的社会规则与人文遗存，让冰冷的文献条文转化为可触摸、可凝视的肌理艺术。作品在细腻的手工美学之中，沉淀出厚重的历史质感，完成了对时代记忆的温柔封存与艺术转译。

Greek artist Vasiliki employed hand embroidery as her primary medium, meticulously stitching the text of a 1930s Greek dowry contract—a historical legal document deeply rooted in its social and regional context—onto specially textured fabric. Through delicate needlework, the rigid language of legal archives was transformed into a tactile artistic surface, allowing historical memory to become both visible and tangible. Her work preserves the cultural traces of a bygone era while offering a poetic reinterpretation of history through the quiet power of craftsmanship.

《Dowry contract》

Vassiliki Lefkaditi

刺绣，红线绣于织物上

1.25x4 m

2021

希腊艺术家Dionysios Pappas则以先锋技术重构观看方式，将3D打印人像的立体形态消解、重组于二维平面之中。打破传统肖像创作的维度局限，以错位、虚实交织的独特视角，塑造出极具未来感的视觉张力。新颖的创作逻辑跳出常规审美范式，也让观众在观看过程中，持续产生新鲜的视觉触动与思辨空间。

Greek artist Dionysios Pappas challenged conventional modes of perception through contemporary technology. By fragmenting and reconstructing three-dimensional, 3D-printed portraits into two-dimensional compositions, he dissolves the traditional boundaries of portraiture. Layers of displacement, illusion, and spatial ambiguity generate a striking futuristic visual language, inviting viewers to continuously reconsider the relationship between image, perception, and reality.